McGrady

McGrady, NC · Arts & Culture
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The Mount Airy News
lakenormanpublications.com
The Mount Airy News
Veterans Day in city to honor patriotism
One good thing about Veterans Day activities in Mount Airy next Wednesday is that unlike previous years, no rain or cold temperatures are in the forecast — with perfect conditions for honoring military members in store instead. “It’s for them,” said Mark Barr, who has been organizing Mount Airy’s annual Veterans Day program since 2013. It will be held Wednesday at Blackmon Amphitheatre near City Hall, with both veterans and the public urged to attend. The service is scheduled for 11 a.m., which commemorates the signing of the Armistice ending World War I in 1918 at that time on the 11th day of the 11th month. This will come after the Mount Airy Veterans Day Parade that will pull out at 9:30 a.m. from Veterans Memorial Park on West Lebanon Street en route to the downtown area. “It looks like it’s going to be a pretty good-sized parade this year,” Barr said of the procession that will feature entries by military organizations and Junior ROTC students from local high schools. Amphitheatre service The 11 a.m. program at Blackmon Amphitheatre will include Staff Sgt. Steven Munoz of the local recruitment unit of the U.S. Marine Corps as guest speaker. Veterans of
focusnewspaper.com
thestokesnews.com
Nancy Reynolds News: Fall carnival coming
Sympathy is extended to the following families: Glenna Bullington, Annie Ruth Gordon, Shirley Stevens and Michael Kiser of King. Happy birthday to Grace Edwards, Nathan Holt, Wendy Willard, Greg Collins, Kay Simmons, and Betty Collins. Howard Tucker Jr. had a tractor turn over on him resulting in six broken ribs...
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lakenormanpublications.com
Taylorsville Times
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Raleigh News & Observer
Doo-wop legend who sang ‘Money Honey,' other R&B hits, to get NC marker
Clyde McPhatter, a falsetto-voiced pioneer of early rock-and-roll, who launched his highly influential but short career in the churches of Durham, will soon grace an North Carolina historic marker on the streets where he first learned to sing. Born in 1932, McPhatter grew up in a Baptist family in Durham’s Hayti neighborhood, where he sang solos in the choir at his preacher father’s church, Mount Cavalry Baptist, but he soon moved to New York, formed a gospel group based in Harlem — The Mount Lebanon Singers. Like many crooners of his era, McPhatter followed the powerful draw of secular music, and he lent his voice to the early 1950s blend of rhythm and blues. This combination of gospel soulfulness and free-spirited, sexually charged energy led the country into a new rock and roll era. A young Ernie Barnes would recall sneaking into the segregated Durham Armory to get a glimpse of McPhatter with his doo-wop Dominoes, describing the scene he saw on the dance floor, so bold for the era it seemed sinful, but not so audacious he didn’t move along. “What I observed was the no inhibition, no self-consciousness or rigidity, just fluid movement while the music punctuated every