Mamers

Mamers, NC · Arts & Culture
Sampson Independent
From Clinton to ‘The Greatest’
The bright lights of Hollywood and the quiet familiarity of Clinton might seem worlds apart, but Jaalen Best has discovered that greatness doesn’t necessarily depend on where a person begins.Sometimes, it starts with having the courage to pursue something entirely unexpected. Once a young athlete with dreams of making...
decorhint.com
rantnc.com
Sampson Independent
Butler Avenue’s first movie night brings community
Butler Avenue Elementary School held its first-ever family movie night Thursday, with the lawn covered in adults and their children watching Toy Story 5, the popcorn popper staying busy and staff and families, alike, remembering that school is community. “We appreciate you, Jollypop,” Butler Avenue Principal Dr. Angela Harding Newkirk...
jocoreport.com
Celebrate Fall At Bentonville Battlefield’s Fall Festival Nov. 14
FOUR OAKS – Take a wagon ride around the historic Harper farm at Bentonville Battlefield State Historic Site’s annual fall festival on Nov. 14. The program will include historic trades demonstrations, displays from community organizations, and an old-fashioned festival atmosphere featuring wagon rides, kids’ games, food trucks, live music, and more.
WWAY NewsChannel 3
spectrumlocalnews.com
Raleigh News & Observer
After 51 years, Durham won't have a CenterFest next year. What we know.
Two months after artists and festival goers gathered in downtown Durham for CenterFest, its hosts have announced the fine arts festival won’t be returning next year. The Durham Arts Council said CenterFest will pause as the council considers the event’s future. September’s celebration marked 51 years since the event was first celebrated in Durham. CenterFest is the state’s oldest outdoor fine arts festival. It draws tens of thousands of people to the city’s downtown Five Points plaza over two days to enjoy over 100 visual art vendors, a parade, kids’ activities, music and other performances and food trucks. “This is a pause, not a farewell,” Katie Wyatt, the council’s executive director, wrote in a statement. “We are taking this opportunity to thoughtfully evaluate the festival’s future, strengthen community partnerships, explore new possibilities, and consider how CenterFest can continue to evolve alongside the community it serves.” Durham Arts Council finances In her statement , Wyatt said the council will invite artists, residents and supporter to help shape CenterFest’s next chapter. They plan to hold a public forum and share updates through its ArtVibes e-newsletter . “We believe deeply in the power of the arts to bring people together. Events like CenterFest
familydestinationsguide.com
hoodline.com
raleighweekend.com
lifeonpawsandwheels.com
📻🐾 WPTF AM Radio Building in Cary, NC – Historic Art Deco Landmark That Inspired Stranger Things!
Simba and I visited the historic WPTF AM Radio Building in Cary, North Carolina, an incredible Art Deco-style radio transmitter station that helped inspire the fictional WSQK radio station in Netflix's Stranger Things! With its rounded corners, streamlined windows, vintage lettering, and towering broadcast antennas, this unusual building looks like something straight out of another era.
ghfalcon.com
Raleigh News & Observer
Doo-wop legend who sang ‘Money Honey,' other R&B hits, to get NC marker
Clyde McPhatter, a falsetto-voiced pioneer of early rock-and-roll, who launched his highly influential but short career in the churches of Durham, will soon grace an North Carolina historic marker on the streets where he first learned to sing. Born in 1932, McPhatter grew up in a Baptist family in Durham’s Hayti neighborhood, where he sang solos in the choir at his preacher father’s church, Mount Cavalry Baptist, but he soon moved to New York, formed a gospel group based in Harlem — The Mount Lebanon Singers. Like many crooners of his era, McPhatter followed the powerful draw of secular music, and he lent his voice to the early 1950s blend of rhythm and blues. This combination of gospel soulfulness and free-spirited, sexually charged energy led the country into a new rock and roll era. A young Ernie Barnes would recall sneaking into the segregated Durham Armory to get a glimpse of McPhatter with his doo-wop Dominoes, describing the scene he saw on the dance floor, so bold for the era it seemed sinful, but not so audacious he didn’t move along. “What I observed was the no inhibition, no self-consciousness or rigidity, just fluid movement while the music punctuated every