Waterboro

Waterboro, ME · Arts & Culture
Portsmouth Herald
Wedding Cake House restoration brings new 'icing' to iconic Kennebunk landmark
KENNEBUNK, Maine — Almost all wedding cakes need bakers for their icing. When your wedding cake is a historic and beloved home at 104 Summer Street in Kennebunk, however, you need John Desmarais and his crew at Shoreline Millwork in Somersworth, New Hampshire. For much of this year, Desmarais and his team have been crafting cellular PVC trim to replicate and replace the old, wooden, and heavily deteriorated “icing” that decorated the Wedding Cake House for decades. Desmarais said cellular PVC is an ideal substitute for wood when it comes to exterior trim and architectural detail. “It will never swell, rot, split, crack, or delaminate like wood,” Desmarais said. “It is high-density plastic, making it moisture- and insect-resistant, unlike clear and premium lumber. It is ideal for exterior design products.” Including on the Wedding Cake House — one of the most photographed homes in Maine . More: Ogunquit Playhouse project closer to $70M goal: New images show what's ahead A new chapter for a Kennebunk landmark Built in 1825, the home is formally known as the George W. Bourne House and gets its nickname from its wedding cake-like appearance. The eight-bedroom, seven-bathroom home sits on 2.23 acres and has more
Portsmouth Herald
everafterinthewoods.com
wheninyourstate.com
This Maine mountain has a 100-year-old tower and a view that inspired a famous poem
Camden Hills State Park spreads across about 5,500 acres in Midcoast Maine, just north of Camden, and Mount Battie is its crown. The summit rises nearly 800 feet, and from there the wooded slopes drop straight to Penobscot Bay. You can see the harbor, a scatter of islands, and on a clear day, Cadillac Mountain far off in Acadia.
townline.org
mooseheadnews.com
soundingsonline.com
Maritime Artist Neal Hughes: A Storied Schooner
Maritime artist Neal Hughes was attending a windjammer event in Camden, Maine, when he photographed the two-masted schooner Stephen Taber on the water. “I felt it made a perfect subject as it sailed near Curtis Island Light at the harbor entrance,” he recalls. The scene inspired this 18-by-24-inch oil painting.