<body><div><figure><img src="https://img.particlenews.com/image.php?type=thumbnail_580x000&amp;url=1RM4SX_1GxdsD8H00" alt="https://img.particlenews.com/image.php?url=1RM4SX_1GxdsD8H00" width="1200" height="900" ></figure><p>The vibes at Metro Music Hall are always high, especially for Automatic. Automatic brought their offbeat, synth-driven pop to Salt Lake City for a night of irreverent energy and danceable post-punk.</p><h2>Beginnings</h2><p>With pulsing synths, driving basslines and a healthy dose of cynicism, Automatic turns social unrest into music built for the dance floor. The Los Angeles duo, Izzy Glaudini and Halle Saxon, uses its latest album, “Is It Now?,” to aim at systems of power and the absurdities of modern life. The band first met in LA in 2017 and released their first album “Signal” in 2019. Their second album “Excess” came out in 2022, followed by “Is It Now?” in September of 2025. </p><p>Across these three albums, Automatic has developed a sound that balances the urgency of punk with the hypnotic qualities of electronic music. While “Signal” introduced listeners to their synth-heavy post-punk style, “Excess” continued building on that sound, and “Is It Now?” shows the duo becoming more experimental and comfortable with a looser musical approach.</p><p>In 2022, they shared the stage with Tame Impala and The Last Dinner Party as openers. Automatic has also performed in large-scale music fests such as Outside Lands in March of 2026. Their sound strikes a balance between playful and confrontational, pairing biting observations with infectious rhythms that make it hard to stand still. Automatic takes a looser, more organic approach to its signature sound on their newest album, teaming up with producer Loren Humphrey, known for his work with artists including Cameron Winter and Arctic Monkeys. </p><p>Rather than relying on tightly programmed rhythms, the band embraces live instrumentation and extended takes, giving the record a rawer, more fluid feel. Beneath its catchy melodies and dance-ready grooves, however, lies a sharper edge. Tracks like “mq9” weave political undertones into layers of pulsing bass, cutting synths and futuristic effects, while “Don’t Wanna Dance” draws on the punk sounds of late-’70s Britain. Elsewhere, “Smog Summer” channels disco pioneer Patrick Cowley to deliver an environmental critique wrapped in an irresistible beat. Automatic makes its heavier themes easy to move to, letting the music pull listeners in before revealing what lies beneath the surface.</p><h2>Metro Music Hall</h2><p>Donzii started their set at 8:00 PM. Donzii started the night off right with a funky, danceable and punchy post-punk performance. The lead vocalist, Jenna Balfe, came on stage dressed as a worm, which set the crowd up for an unserious night. The band’s eccentric presentation established a playful atmosphere that carried into Automatic’s performance. Automatic came on at 9:00 PM, and their set was electric. The crowd stayed engaged and lively throughout their entire set. Their sound was funky and fun, and the band was obviously having a good time on stage. </p><p>Politics and awareness are a strong theme for Automatic’s image. Automatic kept their stance clear throughout the show; images of “No war, no genocide” were projected on stage. The projections made it clear that the band’s music isn’t simply about creating a fun atmosphere. There is an intentional contrast between the upbeat sound and the uncomfortable realities addressed in their lyrics. Rather than separating entertainment from political expression, Automatic brings the two together. From Donzii’s eccentric opening set to Automatic’s infectious grooves, the atmosphere kept the crowd moving and the energy high. By the end of the night, Metro Music Hall had become the perfect setting for Automatic’s offbeat take on modern life.</p></div></body>

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The vibes at Metro Music Hall are always high, especially for Automatic. Automatic brought their offbeat, synth-driven pop to Salt Lake City for a night of irreverent energy and danceable post-punk. Beginnings. With pulsing synths, driving basslines and a healthy dose of cynicism, Automatic turns social unrest into music built...

Automatic at Metro Music Hall

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The vibes at Metro Music Hall are always high, especially for Automatic. Automatic brought their offbeat, synth-driven pop to Salt Lake City for a night of

Automatic at Metro Music Hall

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