Mandy Moore to Star in Dr. Death Season 2

Some of this year’s most anticipated series will make their debuts at the 2023 SXSW Film & Television Festival taking place March 10 through 19 in Austin, Texas. The festival kicks off with the first look at Donald Glover’s Swarm (yes, the Beyoncé-inspired show Malia Obama worked on) and closes with the premiere of the dark comedy Beef, starring Ali Wong and Steven Yuen. 10 more series representing every streaming service out there will screen in between.

Succession’s Season 3 finale, “All the Bells Say,” turned everything about the relationships between the Roys and their closest companions on its head. Shiv (Sarah Snook) was faced with the ultimate betrayal by her husband Tom (Matthew Macfadyen), Kendall (Jeremy Strong) was ready to play nice and join forces with his siblings, and Roman (Kieran Culkin) finally let go of his undying loyalty to his father. In the final moments of the episode, which aired in December 2021, Shiv’s realization of what Tom had done marked a shift in the family (and show’s) dynamic. Now, Season 4 is right around the corner to show us what a firmly divided Roy family looks like in the face of one of Waystar Royco’s most defining moments. Here’s everything we know about Season 4 of Succession so far.

Series star Molino and showrunner Emily Fox tease what's to come for Freeform's new mystery. Editor’s Note: This interview contains spoilers for the first two episodes of The Watchful Eye, “Hen in the Fox House” and “Hide and Seek.”. After making her U.S. television debut in...

Sad Affleck strikes again! Accompanying his wife Jennifer Lopez at the 2023 Grammys, viewers picked up on Ben Affleck looking particularly “miserable” during the ceremony, especially as he remained expressionless as J. Lo rocked out to the tribute performance to Smokey Robinson and Berry Gordy by Robinson, Stevie Wonder and Chris Stapleton.

Looking for your next binge-watch, or just need to fill an hour? Welcome to Your Weekly Watch List, our curated collection of the best shows on television. Here’s what to watch from Monday, February 6 through Sunday, February 12. Gina Rodriguez sees dead people, Marvel introduces its youngest superhero...

Communities often form in the aftermath of a tragedy, from neighbors standing outside a burning house to survivors founding an advocacy group, and in 21st-century television, these ad hoc societies are often tinged with terror: Think of the cult on Yellowjackets, the smoke monster that chases the Lost islanders, or the troupe of artists that learns to kill on Station Eleven. Considering the anxiety that’s pervaded this century — and the catastrophes that have stacked up like leaves on the ground — this fraught tone might almost feel necessary. And that’s why Dear Edward is such a heartrending surprise. Though it begins in grief, it refuses to stay there.

It’s been 13 years since King of the Hill aired its final episode, but now the show will find new life with a reboot at Hulu after Fox dropped the project last year. According to The Hollywood Reporter, the revival has been in the works since 2017, when creators Mike Judge and Greg Daniels reunited with the original cast at Sketchfest in San Francisco to celebrate the 20th anniversary of the series premiere. But as certain recent animated reboots have proven, not every beloved cartoon needs a modern update.

It’s all fun and games until somebody uses their superpowers to start a violent revolution. The trailer for Prime Video’s The Power goes hard on the show's high-concept premise, about all the teenage girls in the world simultaneously developing the ability to conduct electricity through their hands. Playing...

Anyone eager for a sophisticated dramatization of the Gwen Shamblin story should wait until HBO Max releases its upcoming series with Sarah Paulson. However, those craving a tawdrier take on the life, death, and weight-obsessed ministry of the accused cult leader can fire up their screens now. Lifetime’s new movie Gwen Shamblin: Starving For Salvation may not be tasteful or even very artful, but it lays out the facts with gossipy zeal, like someone screen-grabbing the juiciest bits of a tabloid story and texting them to a group chat. And to be clear: That’s fine. Sometimes, lurid escapism can be just as satisfying as tony drama, and Shamblin’s story is compelling enough for both.

[Editor's Note: This post contains spoilers for Poker Face Season 1, Episode 5.]. If it’s going to work, then “Time of the Monkey,” the fifth episode of Peacock's new mystery series Poker Face, has to trick us into loving the murderers. The gut-punch twist of the final act won’t land unless we spend the previous 30 minutes rooting for a pair of old hippies who have landed in an upscale retirement community. The script does a fantastic job of making them seem like counterculture heroines, but just as importantly, they’re played by Judith Light and S. Epatha Merkerson, whose careers have conditioned us to trust them on sight.

If you pay any attention at all to TV reviews and news, you’ve likely heard by now that Poker Face’s creator Rian Johnson and its star Natasha Lyonne intend their Peacock mystery-comedy series to be a throwback to classic ’70s and ’80s detective dramas like Columbo and The Rockford Files. If you’ve watched the show, it’s hard to miss the influences. The opening credits’s font looks charmingly vintage, for one thing.

Jerrod Carmichael’s had a big year. Since his Emmy-winning comedy special, Rothaniel, dropped in April 2022, he’s gained widespread attention with major gigs like hosting Saturday Night Live and the Golden Globes. The latter allowed him to publicly criticize one of the entertainment industry’s largest institutions (the Hollywood Foreign Press Association), a move that during a different time may have made him a pariah in the business. But Carmichael seems to be doing just fine, and continues to be celebrated for the authenticity of his comedy — HBO just announced a comedy documentary project starring Carmichael has been ordered to series.

[Editor’s Note: This post contains spoilers for The Last of Us Season 1, Episode 4, "Please Hold My Hand."]. Last week, The Last of Us deviated from the course of the original video game narrative to tell a self-contained, pandemic-spanning love story between two survivors, to more or less huge acclaim. In this week's episode, the show departs some more, introducing a wholly original character into the mix. Melanie Lynskey makes her first appearance as Kathleen, the leader of a band of rebel citizens in Kansas City who are seemingly bent on a mission of vengeance for reasons that are only revealed in bits and pieces to the audience. Lynskey, an Emmy nominee for Yellowjackets who's riding one of the hottest streaks of her 30-year career, is a canny bit of casting for a role like this. She's an unlikely choice to lead a violent band of survivors, but that's exactly why she works so well.

When the story broke in 2019 that a coercive sex cult had been uncovered on the campus of Sarah Lawrence College, you could practically hear the documentary cameras getting set up. There's a fascination with cults on TV — look no further than HBO's The Vow for proof — and, in particular, with how free-thinking, rational people can fall under the sway of a charismatic figure who convinces them to act in ways that both harm them and isolate them from their loved ones. The Sarah Lawrence cult had a grotesque but compelling character at its center in Larry Ray, who moved into his daughter Talia's campus housing and within a couple of years wreaked emotional, physical, and sexual damage on a small group of Talia's friends and classmates.

Freeform thriller The Watchful Eye may look like a spiritual successor to Cruel Summer, the anthology that became an instant hit when it debuted in 2021, but viewers would be wise to resist comparing the two. While Cruel Summer’s first season examined grooming and the villainization of women by 1990s media culture, The Watchful Eye layers a Hitchcockian premise with the “eat the rich” sentiment that has taken hold of contemporary pop culture. The result is a young adult drama that’s both compulsively watchable and socially aware, a rare combination in the genre.