‘She Will’ Trailer: Charlotte Colbert’s Gothic Psychological Horror Is Produced By Dario Argento

Pregnancy is often a complicated time for women. A sense of giddy anticipation and hope, but also anxiety and worry, and sometimes even dread. It can be beautiful, yet frightening. And what if, on top of all the emotions, one had to endure a pregnancy while evading the trappings of an evil spirit? Such is the plot of “Huesera: The Bone Woman,” a supernatural horror film from promising young director Michelle Garza Cervera.

Christopher Landon helped put Blumhouse on the map last decade thanks to his writing and directing credits on the “Paranormal Activity” and “Happy Death Day” films. Now Landon returns for his first film since 2020’s “Freaky,” a horror movie for Netflix that’s a little more family-friendly than his usual efforts.

One of the best surprises of 2022 has to be “Barbarian.” Not only is it surprising because of the story, which completely catches people off guard with its smart writing and fun twists, but the film also shocks people when they find out that Zach Cregger is the writer-director. This is the guy who previously worked with the comedy troupe, The Whitest Kids U’ Know, and now he’s making smart, engaging horror films? What? Well, his horror debut, “Barbarian,” was so well-received last year that he started a recent bidding war for his follow-up film, “Weapons.”

2011’s “Attack The Block” is a lot of things: Joe Cornish‘s directorial debut, John Boyega‘s breakout film, and one of the most entertaining cult films out the UK in the 21st century. So, no shortage of excitement knowing that a sequel to the film is on the way. But by now, it’s over ten years since the last film’s events, when a South London street gang must tangle with aliens invaders on Guy Fawkes Night. So what does Cornish have in mind for a sequel?

In a few short years, Adam Driver has gone from underground TV curiosity to the most compelling leading man in movies. The young actor has already notched two consecutive Oscar nominations for his roles in 2018’s “BlacKkKlansman” and 2019’s “Marriage Story,” plus an extended excursion into the “Star Wars” universe. The last two years have seen Driver collaborate with “A-list” auteurs like Ridley Scott (“The Last Duel,” “House of Gucci”) and Michael Mann (the upcoming “Enzo Ferrari”). But he’s also found time to return to space, albeit in a slightly more vulnerable context than that of Kylo Ren.

You can’t really talk about the history of blockbuster filmmaking without mentioning Steven Spielberg. You could argue the summer blockbuster was created by his film, “Jaws,” decades ago. Now, with films such as “Top Gun: Maverick,” “Avatar: The Way of Water,” and “Black Panther: Wakanda Forever,” not just earning huge money at cinemas but also receiving Oscars recognition, Spielberg thinks it’s encouraging to see blockbusters get their credit by the Academy. In fact, he believes it’s long overdue, as there’s one film in his mind that should have gotten that Best Picture nomination but was overlooked.

Where have all the Columbos gone? Why don’t they make shows like “Monk” or “Murder, She Wrote” anymore, programs about the smartest person in the room solving a mystery of the week before the cops can even get there? Has true crime supplanted the viewer’s need for shows about immediate justice, or are people just too accustomed to the death of the episodic structure wherein every showrunner thinks they’re making a ten-hour movie instead of ten individual chapters? The brilliant Rian Johnson has teamed up with the phenomenal Natasha Lyonne to solve the case of the missing TV genre, launching the very fun “Poker Face,” a show that brings a bit of that “Knives Out” energy to Peacock but with a less-polished, spontaneous sense of humor and intrigue. Like any “case of the week” show, “Poker Face” can be a little inconsistent, but Lyonne really anchors all six chapters sent to press, and the revolving door of guest stars makes for a fun, unexpected winter TV treat.

Not yet thirty years old, Mia Goth has already collaborated with several world-renowned filmmakers for her willingness to follow their most demented muses. Her girlish appearance strikes a shocking contrast with the atrocity exhibitions that she gravitates toward: eagerly taking to sexual grooming in Lars Von Trier’s “Nymphomaniac;” undergoing forcible insemination and grisly spaghettification with Claire Denis in “High Life;” becoming an insane asylum’s incestuous princess for Gore Verbinski in “A Cure for Wellness;” witnessing her own disembowelment as part of the orgiastic blood ritual Luca Guadagnino that’s the grand finale to “Suspiria;” manifesting a century of madness for Ti West’s in-progress trio of period pieces of “X,” “Pearl,” and the upcoming “Maxxxine.” And so it’s no surprise that Goth’s latest outing is another twisted affair: Brandon Cronenberg‘s “Infinity Pool,” which takes place at a Mediterranean beach resort that hides a violent and depraved sub-culture. As the son of body-horror maestro David Cronenberg, Brandon practically inherits depravity as a birthright. But where will his collaboration with Goth stack up with fans against the actress’ other enviable outings?

Well, James Cameron naysayers, it’s time to admit defeat. Variety reports that “Avatar: The Way Of Water” now sits at #5 in the all-time box office gross rankings with $2.054 billion globally. That pushes Cameron’s sequel past 2018’s “Avengers: Infinity War” and its $2.052 billion. The sequel’s latest leap in the standings also gives Cameron three of the five most commercially successful films of all time, with “Avatar” at #1 with 2.92 billion and “Titanic” at $2.19 billion.

So, James Gunn and Peter Safran have taken over the DC Universe with DC Studios. So far, that’s meant Henry Cavill out as Superman, Gal Gadot’s Wonder Woman fate is unclear (though director Patty Jenkins threequel was rejected), Jason Momoa with vague but good news about his future, and everyone else with a big fat TBD.

There are very few directors who like to work at the break-neck speed that Canadian multi-hyphenate Xavier Dolan relishes. Fewer still can boast of churning out quality output at every turn. Since debuting with the semi-autobiographical “I Killed My Mother” in 2009, Dolan has more or less helmed one feature every year. In fact, the longest Dolan has stepped away from filmmaking has been during the three pandemic-stained years when life retreated indoors. As if to make up for his absence, the filmmaker returns with “The Night Logan Woke Up,” his first TV project — creating, directing, writing, and acting in the captivating limited series.

Over the years, comedian Marc Maron has had stand-up specials on Epix, and a few on Netflix, including “Marc Maron: Too Real” and “End Times Fun.” Now he gets a coveted comedy special on HBO with “Marc Maron: From Bleak To Dark,” set to premiere on the network next month.

Jennifer Lopez revealed she nearly “fell off a cliff” while filming Shotgun Wedding with Josh Duhamel. She made the admission during a game of “Who’s Who” with BuzzFeed as they went around the group — including Jennifer Coolidge, who plays Josh’s mom in the film — discussing who would take certain titles. Josh and J.Lo earned the title of “most likely to nail a stunt on the first take” — to which the “Jenny From The Block Singer” agreed, sans one shooting hiccup.

13 years after it was canceled, the catering comedy “Party Down” returns to STARZ for a belated third season, and all the gang is back Adam Scott, Jane Lynch, Ken Marino, and more. Because revivals are all the rage in the era of #TooMuchContent and the streaming war era.

On the latest episode of the “Team Deakins” podcast, hosted by legendary cinematographer Roger Deakins, Casey Affleck let it slip that he’s currently prepping for a new directorial project. And while Affleck didn’t divulge any ideas on the upcoming third film, it’s clear from his conversation with Deakins that it’ll be similar to 2010’s “I’m Not There” and 2019’s “Light Of My Life.” That is, it’ll be a more Affleck makes for his artistic fulfillment more than commercial success.

There is no shortage of stories about fathers and their kids, specifically sons. But in Justin Chon’s (“Gook,” “Ms. Purple”) film, “Jamojaya,” the relationship becomes bogged down with the added aspect of career and ambition. There’s the duty that a father feels toward his son and a son’s desire to take care of himself and fly away from his father. But amidst all that, the relationship that drives the story can become a bit muddled in the imagery and silences in the film at times.

EXCLUSIVE: “This is not a making-of, but more of an insight about how the Cowboy fell asleep and woke up in Copenhagen.” And with that, filmmaker Nicolas Winding Refn introduces you to “Copenhagen Cowboy: Nightcall with Nicolas Winding Refn,” a new behind-the-scenes documentary about the production of his new series, “Copenhagen Cowboy,” which is available on Netflix globally now.

Based on its cast alone, “Thunderbolts” may be the buzziest film to come out of the MCU‘s Phase 5. And now the upcoming Marvel movie adds another intriguing name to its ensemble. Variety reports that “The Bear” star Ayo Edebiri is the latest to join the film’s cast, poising the actress for a big-screen breakout.

In today’s episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo cries tears of joy for Apple TV+’s new dramedy, “Shrinking.” Created by Bill Lawrence (“Scrubs,” “Ted Lasso”), Brett Goldstein (“Ted Lasso,” “Thor: Love and Thunder”), and Jason Segel (“Forgetting Sarah Marshall,” “How I Met Your Mother”), the show follows Jimmy (Segel), a therapist who has gone off the deep end after the death of his wife. Ignoring the advice of colleagues, his schooling, and common sense, Jimmy decides to make big changes to the way he practices and lives his life, resulting in huge victories and even more drama. The series also stars Harrison Ford, Jessica Williams, Luke Tennie, Michael Urie, Lukita Maxwell, Christa Miller and more.

The last eight months have been pretty remarkable for Lukas Dhont. After bursting on the global film scene with “Girl” in 2018, the Belgian filmmaker returned to the Cannes Film Festival with his sophomore effort, “Close.” That heartbreaking drama won the Grand Prix (effectively coming in second) and was quickly scooped up by A24. After causing AMPAS members at the Telluride Film Festival to sob, “Close” won numerous festival honors around the globe, took the NBR Award for Best Foreign Language Film, and landed five European Film Award nominations. And on Tuesday morning, Dhont became an Academy Award nominee after “Close” earned an International Film Oscar nomination in a year that saw several highly lauded films not make the cut.