We are giving away a pair of tickets to see Grammy Winner Sarah Jarosz @ Revolution Hall on April 7. To win, comment below on this post why you’d like to attend. Winner will be drawn and emailed April 4.
———————————————
From our sponsors:
April 7, 2022
Doors 7PM, Show 8PM | $25 | 21+ (Minors OK in Balcony)
More info: event.etix.com
Revolution Hall
1300 SE Stark St., Portland, OR
With her captivating voice and richly detailed songwriting, Sarah Jarosz has emerged as one of the most compelling musicians of her generation. A four-time Grammy Award-winner at the age of 30, the Texas native started singing as a young girl and became an accomplished multi-instrumentalist by her early teens. After releasing her full-length debut Song Up in Her Head at 18-years-old, she went on to deliver such critically lauded albums as Follow Me Down, Build Me Up From Bones, and 2016’s Undercurrent, in addition to joining forces with Sara Watkins and Aoife O’Donovan to form the acclaimed Grammy winning folk trio I’m With Her.
In the making of her new album World On the Ground, the New York City-based artist collaborated with producer/songwriter John Leventhal: a five-time Grammy Award winner known for his work with Elvis Costello, Shawn Colvin, and his wife Rosanne Cash. Working almost entirely on their own, the two musicians crafted a subtle tapestry of sound perfectly suited to Jarosz’s lyrical storytelling. In a departure from the nuanced introspection of her previous work, World On the Ground unfolds as a finely wrought collection of stories from her hometown of Wimberley, Texas (population: 2,626), presenting a series of character sketches nearly novelistic in emotional scope. As she inhabits characters both real and imagined—exploring the tension and inertia of small-town living, the desire for escape and the ease of staying put—Jarosz reveals her remarkable gift for slipping into the inner lives of others and patiently uncovering so much indelible insight.
Ric Robertson
Hearing Ric Robertson for the first time, you’ll be forgiven if John Prine is the first name that comes to mind. Robertson’s voice has the same soft Southern burr as Prine’s, the same Zen acceptance of humanity’s failings, and, most importantly, the same sense of playfulness in the music. There’s a bit of Willie Nelson in there too, not just from all the smoke in the air, but from the colliding elements of jazz, funk, and country. Robertson’s an American original, pulling influences from the greats that came before, but wholly responsible for creating his own creative universe. When he’s not writing songs or playing music, his polymath personality fills time learning claymation, filmmaking, building puppets, learning pedal steel… He’s relentlessly creative, the musician’s musician, as testified by the fact that he’s continuously in-demand as a touring bandmate, playing with everyone from Rhiannon Giddens to The Wood Brothers. His new album, Carolina Child, coming July 30 on Free Dirt Records, is Robertson’s break-out moment, a fully-fledged multiverse of madcap ideas and creative anarchy.