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Sharon Stone pulls out all the stops with jaw-dropping rebellious red dress at Cannes Film Festival
Sharon Stone rocked the red carpet at Cannes Film Festival as she attended the Elvis premiere on Wednesday evening. In a gentle nod to "The King of Rock and Roll", the 64-year-old actress arrived wearing a figure-hugging, garnet-red dress embellished with statement jewels. She teamed her look with a matching red Dolce & Gabbana heart clutch, oversized aviator sunglasses, and strappy red heels.
I tried official 'Stranger Things' makeup, and it transported me to the '80s
The "Stranger Things" x MAC Cosmetics makeup line includes blush, lip gloss, and eye shadow inspired by Hawkins and the Upside Down.
Neil Young’s Unheard 2001 Album “Toast” is Due Out in July
In a 2008 interview with Rolling Stone, Neil Young spoke about an album called Toast that he had recorded seven years earlier with longtime band Crazy Horse. “It’s a mind blowing record, and I don’t think it’s a commercial record, but it’s great rock and roll, very moody, kind of jazzy,” Young said. “It was recorded in the same place where Coltrane was recorded, so there’s a lot of heavy stuff in there.”
Cannes Directors’ Fortnight Title ‘A Male’ Exposes the Ravages of Traditional Manhood
Click here to read the full article. Playing Directors’ Fortnight, Fabián Hernández’s “A Male” (“Un Varón”) underscores just how much Colombian cinema has evolved in recent years, in both technique and kind of storytelling.
A meditation on manhood sold by Dubai-based Cercamon and seen at San Sebastian’s WIP Latin last year, it turns on 16-year-old Carlos (Dylan Felipe Ramírez Espitia), glimpses of his deep turmoil shining through a stoic facade.
His mother in jail, his sister on the game,Carlos lives in a central Bogotá homeless shelter in central Bogotá.Over Christmas, he wanders his local streets, dominated by the ideal of the alpha...
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Philharmonia/Blomstedt review – flow and glow as one one of wonders of our age remains in control
Even popes retire these days but, like the Queen, Herbert Blomstedt just goes on and on. The Swedish-American conductor is 94 now, and the joints are visibly stiffer than they were as he enters and leaves the stage, but Blomstedt remains amazingly spry. His control of the Philharmonia Orchestra – using his hands, not a baton – was beyond question, and he conducted the entire evening without once sitting down.
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