A reworking that is an ode to the past
In grandeur and classic prose, Nicole Atkins uses her sixth studio album, Memphis Ice, as a way to explore bygone eras. In dissonant chords and shining vocals, the reworking of songs in a more homely setting, the live acoustics truly shine. While the production work may seem a bit questionable to modern audiences, it is clear that Atkins envisions a vintage sound to her live work.
Beginning with “Captain,” there is a distinct feel to it. This is highlighted by the orchestral instrumentals. It is remarkable how she makes one feel as if they are in the audience, listening to such strong textured instrumentals throughout. In a new light, each of the songs shines on Memphis Ice.
“Domino” is perhaps one of the most evocative songs on the album. In its vocal performance, there is something so affirming. It looks back to the classic performances of starlets with shining eyes, trying to replicate an era with such care and affection. The clicks in the piano create a certain intimacy that is neglected in glossy modern production. One can close their eyes and picture themselves in this era.
Lyrically, the performance on the album accentuates what people all knew about Atkins. In a passionate, almost musical-like intonation, the cover of Carole King’s “A Road to Nowhere” paints such a passionate narrative it is impossible not to fall into it. Similarly, “Forever” has such a longing presence, it lingers far beyond its runtime. The production here shines as an intimate glance. Neither the piano nor her voice overpowers the other, leading to a beautiful ballad, perhaps even improving upon the original.
To truly mark her abilities, “These Old Roses” has the vibrato of a 1950s singer, with the lyrical mastery she is known for. The violin’s almost-vocal quality provides the perfect duet to mesh with her voice. It is impossible to not be moved by such remarkable performances. In its intimacy, the candor and virtue of the lyrics shine. Vocally, the visceral feelings come to the fore, creating even more poignant versions of her previous work.
If audiences enjoyed Atkins’s 2020 album Italian Ice, the reworked songs in Memphis Ice provide such an ornate, vibrant tenacity to them that should not be overlooked. It showcases her works in a new light, one that shines in a vintage spotlight. It truly is a treat to listen to, as personal as she’s ever been, while still providing her signature attention to detail in songwriting and production.
Leave a Comment